I believe Jude said it had enough power. I base this on listening to the d50 for a day and owning the x and BHSE. JLoud said:. Chefguru Headphoneus Supremus. Joined Oct 1, Posts 1, Likes How did that x sound? I heard the BHSE. I just won't have the funds for that. Even though it did sound amazing with the Voce. The Voce require more power than the x puts out. Maybe not technically, but the dynamics suffered.
Very clean sounding though. I think the x would be a pretty good place to start with the new CBRN, as it is easier to drive. KMann said:. The high efficiency of the carbon nanotube diaphragm also allowed us to reduce the tension just enough to increase the space between the stator and diaphragm to allow higher excursion with lower diaphragm resonance frequency, without the risk of the diaphragm coming into contact with the stator.
The low resonance frequency of the diaphragm combined with the large area makes for great bass response. Loudspeakers Tidal Audio. Loudspeakers handmade in Germany. Sunray The G2 revision of the Sunray offers up a completely new speaker from the inside, whilst still retaining the iconic and unique outer design with subtle aesthetic improvements.
Keep up to speed Our team keep up to speed with all the latest developments in the world of high-end audio. Follow us on Instagram. This weeks music recommendation is an album packed. Because of its infinitesimally fine resolving power, the Preos-D occupies a quite exceptional position among pre-amplifiers.
Prepare for acoustic revelation, since the Preos-D is built to withdraw maximum information from any system's source. As applies to any TIDAL product, the entire wealth of technological details is only there to serve the musical purpose.
The fascinating sound that the Preos-D delivers and its build quality are hard to describe in mere words. We will have to do with the most simple comparison: think of the best line stage you have ever heard, then take it one step further. The Preos-D doesn't do anything but change the volume and select a source. A sonic fingerprint of its own is absent, any loss of fine detail as well. The very heart of the Preos-D, however, is its extraordinary phono amplification circuit which is an integral part of the overall concept, built to do justice to reference status MC cartridges.
The MC phono input is finely adjustable and is meant to be used with the best analog front-ends on the planet, nothing less. What it does: Bass control, punch and precision is almost a different ball game and maybe the most obvious improvement when one hears it as first. It is more transparent, more "light as a feather", more "invisible", and sounds even more natural and relaxed with almost endlessly ease. A dream for those who are looking for an amp just delivering the mail, no changing it with losing or adding the original content as delivered from the pre amp.
Bandwidth, speed and control are out of this world. The Impulse has serious power: 2 x watt at 8 ohm s 2 x watt at 4 ohms 2 x watt at 2 ohms This black glossy power bloc looks, feels and acts much more "beefy" than the former Impact, which after almost ten yours of unchanged production is a real classic.
Here lives La Assoluta, alongside but dwarfing the Akira. At a shade over 2. The depth and mirror-like quality of the black lacquer, the seamless integration of polished stainless steel, the precision of the radiused edges and the subtle, tapering facets that relieve the otherwise bluff, vertical front face add up to a majestic, commanding presence. Each complete La Assoluta speaker weighs in at kg the wrong side of pounds and offers 93dB efficiency.
These are no ordinary speakers -- and they deliver no ordinary performance. Likewise, the setup was remarkably straightforward, the front-end components housed in a modified USM cabinet, the system devoid of such niceties as parallel, clean grounds and cable lifters.
The color of the seats? So, even with La Assoluta, there are no absolutes. Of course, the beauty of black coffee is that you really get to taste the beans, the roast and the grind -- and this La Assoluta system was no different. Like the speakers to which I am comparing the La Assoluta, there was an unmistakable sense of presence and substance, a "they are here" quality to the playing and the performers.
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