The optional adjustable phono stage model allows enjoyment of vinyl at a sophisticated level without the need to purchase a specialised phono preamplifier. The electronics topography is derived in part from development work done on circuits for our later generation integrated amplifiers and source components, and a power supply with extremely low impedance allows the audio circuitry to deliver its best.
For more information click here to visit the Plinius website. Why not look for some now? Plinius Kaitaki This exciting preamplifier is the perfect partner for the Plinius SA power amplifier used either as a stereo amplifier or in a monoblock configuration.
Even then undue haste should be avoided. Whilst the massively filigreed heatsinks aren't as bloodthirsty as others which are honed to a cutting edge, careful handling and respectful distance are still best. Because my wife fancied it too, I better not go testosterone now and call this the essential he-man amp. But seeing how already years ago she settled down peacefully with my Geithain speakers, her WAF compliance no longer qualifies as normal.
The Plinius M8 preamp requires no such respectful distance. Its Kiwi designers gifted it with a smoothly swooping if properly substantial fascia. U-shaped it swings around to the very rear for good solidity and the front merely features a big rotary knob and extinguishable display. Clearly the majority of possible commands require remote control.
If any wand ever required a valid weapon's permit, this one is it. Pickup available Interest free terms available request a demonstration. Details Specifications. Features Optional Phono Stage The preamplifier can be fitted with an optional phono stage based on the Hautonga design. The Phono has two gain settings and five loading settings to allow for suitable cartridge matching.
Line Out The Line out provides a line level output, carrying the selected source signal. Through the SA, the top octaves were open, sweet, and extended. The sound varies a bit from track to track but is generally quite good.
This treble, done in such an unhighlighted way, showed the Plinius to have an extremely open and revealing character, as well as a rich midrange and full, articulate bass. Some amps are good at presenting an illusion of soundstage depth by adding to the signal a character that embiggens pace Jebediah Springfield the sound of instruments and places them at a greater sonic distance from the listener.
Other amps are surgical in their rendering of space, often giving a hyperdetailed, exciting, yet etched quality to the sound. In this regard, the Plinius SA was an amp Goldilocks would have loved: it was juuuuust right.
In terms of soundstaging, the Plinius gave what it got.
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