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Audio fest 2014


Audio fest 2014


Cypher Labs originally broke ground in personal audio with its portable digital separates. The AlgoRythm series partnered nicely with external amplifiers and iPods to create a mobile audiophile sandwich, but recently the company has branched out with a brand of their own amplifiers both big and small.

In a surprising move from portable, Cypher Labs has recently released a full size statement piece for headphones they call Prautes. The case for the piece is definitely sizable, a bit taller than most high end amplification typically runs but not quite as wide. The company is including a very beefy cable to compliment the amp that can also double as a pre or even drive sensitive loudspeakers via the included speaker taps.

All this versatility comes courtesy of a five way impedance switch that claims to cleanly drive music from loudspeakers to IEMs. The US-made piece is a result of a collaboration with Coffman Labs and unitizes push pull amplification with output up to two watts. When discussing HiFi speakers, Sony is definitely not the first speaker that comes to mind. Believe me when I say, this helps a little. It was the very fist time I had the privilege of listening to the Europa preamplifier in conjunction with the Napoleon Ag silver-wound-transformer mono-blocks, which deliver 8 watts of pure Class-A single-ended seduction.

The state-of-the-art Wavelength equipment was cabled with AudioQuest to a pair of Vaughn Loudspeakers with Duquesne Plasma tweeters, Accuton midrange, and a powered subwoofer which operates under 80Hz. As for realism, which demands a certain balance of highs, lows and everything in between, there was something left to be desired in terms of body.

With only 8 watts of power, compromise is something the listener must expect, and from Hz was my point of contention. My final conclusion is that I did very little analyzing, but rather listened intently, and I attribute this to the spiritually intoxicating nature of Mr.

I was lucky to walk in during a demo of mono and stereo first pressings of various Beatles albums, which I am familiar with. An interesting aside about Vandersteen dealers is: if they carry the speaker line they generally demo it before anything else, even if they display a number of competitor speaker lines. During the slightly maddening crescendo of brass instruments, strings, and symbols, I could hear each distinctly and with separation.

In room , I found the most unlikely combination of equipment, in my opinion, at the entire show. Knowing the CR1 as well as I do, it was easy for me to rid myself from any bias. In other words, I looked at the CR1 as a control in the system.

The intention of the demo was to show the difference between a mono and stereo cartridge when playing a mono recording. After a couple of minutes, David Sckolnik of DSA started the same cut from the top, but this time with the Zero mono cartridge, which retails for less than half the cost of the stereo.

I was lucky to walk in during a demo of mono and stereo first pressings of various Beatles albums, which I am familiar with. An interesting aside about Vandersteen dealers is: if they carry the speaker line they generally demo it before anything else, even if they display a number of competitor speaker lines. During the slightly maddening crescendo of brass instruments, strings, and symbols, I could hear each distinctly and with separation.

In room , I found the most unlikely combination of equipment, in my opinion, at the entire show. Knowing the CR1 as well as I do, it was easy for me to rid myself from any bias. In other words, I looked at the CR1 as a control in the system. The intention of the demo was to show the difference between a mono and stereo cartridge when playing a mono recording. After a couple of minutes, David Sckolnik of DSA started the same cut from the top, but this time with the Zero mono cartridge, which retails for less than half the cost of the stereo.

What I was about to hear completely blew my mind! The tonality of the instrument was palpably different and real, real to the extent that what type of reed Webster was using might be discernable to the trained ear.

Now when the symbols were struck, you could tell if the drumstick had a nylon or wooden tip. The overall presentation was sexier, more engaging, and live feeling. The soundstage I heard in room was nearly as real as the stage at the Village Vanguard, which I visit regularly as it is a couple blocks from my home.

Bravo to Mr.



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  1. Jul 28,  · The Capital Audio Fest seems to progressing nicely. This year there were crowded rooms, palpable excitement, and, not least, good sound. Several demos caught my eye. As always United Home Audio featured excellent sound via its UHA-HQ tape deck. Reel-to .
  2. I wanted to give a quick preview of the goings-on at Rocky Mountain Audio Fest Official show reports will hit the site soon, but this will be a short list of some things that I’m excited about and are of interest to us audiophiles. There are a lot of really great things happening in high-end audio, and some really great rooms at RMAF Estimated Reading Time: 6 mins.
  3. Jul 25,  · Capital Audio Fest: Day Three, The End. Capital Audio Fest: Day 3. Capital Audio Fest: Day Two, Evening. Capital Audio Fest: Day Two. Capital Audio Fest: Day One. Records to Die For Revinylization # Tone Poet, Analogue Productions, ERC reissues. Fostex M22RP/S M-S vivaldiaudio.comted Reading Time: 5 mins.
  4. Jul 25,  · Capital Audio Fest: Day Three, The End. Herb Reichert | Jul 29, | 15 comments. Gary Gill of Sousahorn, plus Dave Slagle and Jeffrey Jackson of Emia Audio, combined to demonstrate some of that dissention and diversity in the Sousahorn room. Try to imagine a show so easy-rolling and human-scaled, that the organizer and hour-to-hour.
  5. Aug 04,  · The Capital Audiofest was the best fest yet! The show had something for everyone affordable components from Odyssey, Clue and Vanatoo, cost no object systems from The Voice That Is and United Home Audio/ Jolida/Luxor, plus vintage components from Robyatt, DeJa Vu and Live Sound Designs. The Gold Show winners all earned their awards.
  6. Jul 26,  · Capital Audio Fest: Day One Herb Reichert | Jul 26, Stalking the halls to experience 38 rooms at Capital AudioFest in three days feels like trying to see the whole Smithsonian in one day. When I got back to my room tonight my ears were ringing from the rock-concert volume levels played in most vivaldiaudio.comted Reading Time: 8 mins.
  7. Jul 27,  · Capital Audio Fest: Day Two, Evening. Room – Most of the exhibitors at CAF are not big brandnames with factories employing more than persons. Most are highly inspired and maximally driven "ma & pa" operations like Klaus Bunge's Odyssey Audio. What is unique about Klaus is that he appears to begin designing with a very clear Estimated Reading Time: 6 mins.
  8. Jul 29,  · Capital Audio Fest: Day One. Capital AudioFest The Evening Before. February Classical Record Reviews. February Jazz Record Reviews. February Pop/Rock Record Reviews. Book Review: Make More Noise! Landscape into music. Re-Tales #5: Pro audio and hi-fi cross over.