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Antoine de fevin

Antoine de fevin

Music for the Requiem Mass - Wikipedia. Anne of Brittany - Wikipedia. Ninot le Petit - Wikipedia. Instances such as these may be found throughout the Mass.

These moments are instantly recognizable—seemingly—as direct quotations from the model. Yet none is in fact a carbon copy of Josquin. Here and in certain other moments of quotation, we have highlighted the tenor voice within the ensemble balance. There is a textual parallel here, as the plea to the Virgin to remember the petitioner is reflected in the hope of eternal life evinced by the Credo text.

Its simplicity and pleasant style is no doubt behind this broad appreciation by contemporary audiences: the motet uses many of the techniques mentioned above to create a prayerful yet musically attractive work. A greater sense of continuity prevails in the Missa Salve sancta parens than in the Missa Ave Maria and this is perhaps it is because it is based on a plainchant rather than being tied to an entire motet, especially one by a composer from the previous generation, where structurally and stylistically there was more building upon individual episodes than, as with later composers, creating a more continuous narrative.

The overall impression is still Josquinian but of a work that could only have been composed by a composer on the musical road progressing beyond Josquin. Copyright The image is from Wikipedia Commons.

Wikipedia Page. Osanna II. Agnus Dei I. Agnus Dei II. Agnus Dei III. Ascendens Christus in altum. O rex gloriae. Sancta Trinitas a 4. Sancta Trinitas a 6. Salve sancta parens Chant.

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  1. ANTOINE DE FEVIN In the light of this document it becomes difficult to accept Orleans as the native city of Fevin. Antoine was born presumably in Arras, as the son of an alderman, or to be more correct? since we have not yet spoken of the date of his birth? shortly .
  2. Antoine de Févin. From ChoralWiki. Jump to navigation Jump to search. Aliases: de Févin Born: c. ? Died: before January ? Biography New Grove states that there is circumstantial evidence Févin left his native town (Arras?) c. By he was attached to the royal court, centered at Orléans and Blois.
  3. Antoine de Févin (ca. – late or early ) was a Netherlandish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary.
  4. Composer. He was the first noteworthy follower of Josquin Des Prez, whose musical innovations he embraced with his own airy, attractive style. About 40 of his works survive, including a Requiem (c. ), the Sancta Trinitas, 18 motets, and nine Masses, some of which make use of themes by Josquin. Facts of Fevin.
  5. FEVIN,ANTOINE DE (Artist) Format: Audio CD. out of 5 stars 12 ratings. See all 3 formats and editions Hide other formats and editions. Listen Now with Amazon Music: de Févin: Requiem d'Anne de Bretagne "Please retry" Amazon Music Unlimited: Price New from Used from MP3 Music, May /5(12).
  6. Dec 06,  · Available on Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) vivaldiaudio.com?dc=D_CDA&utm_source=youtube&utm_medium=social.
  7. Antoine de Févin (* um in Arras; † Ende oder Anfang in Blois) war ein franko-flämischer Komponist, Sänger und Kleriker der Renaissance. [1] [2] Inhaltsverzeichnis.
  8. Antoine de Févin (environ – fin ou début ) est un compositeur franco-flamand, à l'époque de Josquin des Prés, avec lequel il partage bien des traits.