Music for the Requiem Mass - Wikipedia. Anne of Brittany - Wikipedia. Ninot le Petit - Wikipedia. Instances such as these may be found throughout the Mass.
These moments are instantly recognizable—seemingly—as direct quotations from the model. Yet none is in fact a carbon copy of Josquin. Here and in certain other moments of quotation, we have highlighted the tenor voice within the ensemble balance. There is a textual parallel here, as the plea to the Virgin to remember the petitioner is reflected in the hope of eternal life evinced by the Credo text.
Its simplicity and pleasant style is no doubt behind this broad appreciation by contemporary audiences: the motet uses many of the techniques mentioned above to create a prayerful yet musically attractive work. A greater sense of continuity prevails in the Missa Salve sancta parens than in the Missa Ave Maria and this is perhaps it is because it is based on a plainchant rather than being tied to an entire motet, especially one by a composer from the previous generation, where structurally and stylistically there was more building upon individual episodes than, as with later composers, creating a more continuous narrative.
The overall impression is still Josquinian but of a work that could only have been composed by a composer on the musical road progressing beyond Josquin. Copyright The image is from Wikipedia Commons.
Wikipedia Page. Osanna II. Agnus Dei I. Agnus Dei II. Agnus Dei III. Ascendens Christus in altum. O rex gloriae. Sancta Trinitas a 4. Sancta Trinitas a 6. Salve sancta parens Chant.
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